Minas Tsikritsis, a native of Crete, is a Professor of Computer Science and noted Researcher of Aegean Scripts. Included in his work is his claim to have deciphered Linear A and the Phaistos Disk, one side of which appears to be a form of sea shanty. Gavin Menzies quotes[780.319] Tsikritsis’ belief that the Minoans had mathematical knowledge equal, if not superior, to that of the Babylonians and Egyptians.
However, this claim has been seriously challenged by a recent study of a 3,700-year-old Babylonian tablet known as Plimpton 322. The tablet was discovered around a century ago in what is now southern Iraq. Australian scientists from the University of New South Wales, Sydney have now demonstrated that the tablet is the world’s oldest and most accurate trigonometric table, predating the Greek astronomer Hipparchus by over a millennium(b). These claims have generated some considerable debate (c).
Additionally, based on an analysis of Plutarch’s “On the Apparent Face in the Orb of the Moon,” Tsikritsis believes that the Greeks had contact with North America, at least as far back as 86 AD!(a) *Some time later he expanded on the idea in a paper published on the Researchgate website(d).*
Linear A (1800-1450 BC) is the designation given to one of two scripts used by the Minoans. Although Linear B, which has been deciphered, is similar to Linear A, there have been many failed attempts to decipher it, variously linking it to the Greek, Etruscan, Tyrhennian, Anatolian or Persian(d) languages.
However, there is some evidence that a writing system was in use in Greece as far back as the sixth millennium BC and was not adopted from the Phoenicians(h).
Patrick Archer moved further east for a solution, claiming that Linear A is possibly related to Chinese pictographs! One of the more exotic solutions was offered by the American, Stuart Harris, who identified the language as being related to Finnish(a)(f)(g). Harris also quotes the controversial Oera Linda Book as evidence that the Cretans spoke Finnish (e). He follows Felice Vinci in identifying the Baltic as the source of much of Greek culture including Homer’s epics(b), in which connection they both locate Troy in Finland.
So far, no single translation theory has gained general acceptance.
Nevertheless, I have always been surprised that the British who managed to unravel the workings of the German Enigma Machine during World War II have failed to decipher Linear A!
Linear B is the name given to the script used in Mycenaean Greece from 1450 BC until around 1200 BC. It was deciphered in 1952 by the British architect, Michael Ventris, who found it to be based on archaic Greek. What is not generally known is that in America at the same time, classicist Alice Kober was engaged in a parallel quest but unfortunately died of cancer in 1950, before she could complete her work(b).
Edo Nyland in his Linguistic Archaeology controversially claimed that the same texts translated by Ventris using archaic Greek could also be translated using Basque! Examples are given on the University of California, Riverside website(c).
The script is similar to Linear A(a) used in Minoan Crete, which has still to be decoded. Writing disappeared from Greece in the 12th cent. BC and did not reappear until the 9th cent. BC, when an alphabetic script came into use. Those three centuries are known as the ‘Dark Ages’ of Greek history. Plato explained the lack of writing as a consequence of a catastrophic flood which left just a few illiterate ‘mountaineers’ as survivors, who orally transmitted their history until literacy returned.
The scale of Greek catastrophes during this period is indicated by the work of V.R.Desborough who gathered comparative data on the number of population centres on the Peloponnese in the 12th and 13th centuries that shows an average drop of 80%. Spanuth lists those figures in Atlantis of the North[015.161].
Plato is often denounced by Atlantic sceptics as just a philosopher and therefore unreliable as an historian. However, in Critias he outlines quite accurately a number of features of ancient Greece that were only verified in recent times, such as the layout and earthquake damage to the Acropolis as well as the ‘Dark Ages’ mentioned above.*[This like saying that an historian cannot have valid philosophical views or a philosopher should not discuss historical matters.]*
It has been suggested that the Atlantis story was brought to Egypt written in the Minoan scripts. Both employed numerals where the symbol for ‘hundred’ was very similar to that for ‘thousand’, leading to later transcription errors that eventually gave us Plato’s apparently exaggerated numbers! Both James Mavor and Rodney Castleden have advocated this explanation.
The Vinca Culture flourished between 6,500 and 3,500 BC, in the region of the Eastern Danube and is considered to have had contacts with the better known civilisation of Sumer. It is also accepted that Vinca influenced the development of the later Minoan civilisation. This is exemplified by the Vinca writing and its close resemblance to the Linear A script of ancient Crete and the shared motif of the double axe. The Vinca Culture developed houses arranged in streets, produced high quality ceramics and were able to fashion copper. Furthermore, there is now (2013) clear evidence of tin bronze being fashioned around 4650 BC at a Vinca site in Serbia(a).
Although there has been no suggestion of any link between Vinca and Atlantis, supporters of the early date given by Plato for Atlantis see it as evidence for the possibility of a very early culture having existed and providing inspiration for the Atlantis story. However, it must be noted that although Vinca was ‘advanced’ it comes nowhere near to the detailed description of Atlantis offered by Plato.