Minas Tsikritsis, a native of Crete, is a Professor of Computer Science and noted Researcher of Aegean Scripts. Included in his work is his claim to have deciphered Linear A and the Phaistos Disk, one side of which appears to be a form of sea shanty. Gavin Menzies quotes[780.319] Tsikritsis’ belief that the Minoans had mathematical knowledge equal, if not superior, to that of the Babylonians and Egyptians.
However, this claim has been seriously challenged by a recent study of a 3,700-year-old Babylonian tablet known as Plimpton 322. The tablet was discovered around a century ago in what is now southern Iraq. Australian scientists from the University of New South Wales, Sydney have now demonstrated that the tablet is the world’s oldest and most accurate trigonometric table, predating the Greek astronomer Hipparchus by over a millennium(b). These claims have generated some considerable debate (c).
Additionally, based on an analysis of Plutarch’s “On the Apparent Face in the Orb of the Moon,” Tsikritsis believes that the Greeks had contact with North America, at least as far back as 86 AD!(a) *Some time later he expanded on the idea in a paper published on the Researchgate website(d).*
Linear A (1800-1450 BC) is the designation given to one of two scripts used by the Minoans. Although Linear B, which has been deciphered, is similar to Linear A, there have been many failed attempts to decipher it, variously linking it to the Greek, Etruscan, Tyrhennian, Anatolian or Persian(d) languages.
However, there is some evidence that a writing system was in use in Greece as far back as the sixth millennium BC and was not adopted from the Phoenicians(h).
Patrick Archer moved further east for a solution, claiming that Linear A is possibly related to Chinese pictographs! One of the more exotic solutions was offered by the American, Stuart Harris, who identified the language as being related to Finnish(a)(f)(g). Harris also quotes the controversial Oera Linda Book as evidence that the Cretans spoke Finnish (e). He follows Felice Vinci in identifying the Baltic as the source of much of Greek culture including Homer’s epics(b), in which connection they both locate Troy in Finland.
So far, no single translation theory has gained general acceptance.
Nevertheless, I have always been surprised that the British who managed to unravel the workings of the German Enigma Machine during World War II have failed to decipher Linear A, even though today’s supercomputers are so far ahead of what Alan Turing had to work with, Linear A remains undecoded!
In 2018, Brent Davis, one of the leading experts on Bronze Age Aegean scripts and languages published a paper in which “based on a close statistical analysis, shows that the while both the Phaistos Disc and Linear A are undeciphered writing systems, he can demonstrate that the both are, with a high degree of certainty, encode the same language!”(i)
Linear B is the name given to the script used in Mycenaean Greece from 1450 BC until around 1200 BC. It was deciphered in 1952 by the British architect, Michael Ventris, who found it to be based on archaic Greek. What is not generally known is that in America at the same time, classicist Alice Kober was engaged in a parallel quest but unfortunately died of cancer in 1950, before she could complete her work(b).
Edo Nyland in his Linguistic Archaeology controversially claimed that the same texts translated by Ventris using archaic Greek could also be translated using Basque! Examples are given on the University of California, Riverside website(c).
The script is similar to Linear A(a) used in Minoan Crete, which has still to be decoded. Writing disappeared from Greece in the 12th cent. BC and did not reappear until the 9th cent. BC, when an alphabetic script came into use. Those three centuries are known as the ‘Dark Ages’ of Greek history. Plato explained the lack of writing as a consequence of a catastrophic flood which left just a few illiterate ‘mountaineers’ as survivors, who orally transmitted their history until literacy returned.
The scale of Greek catastrophes during this period is indicated by the work of V.R.Desborough who gathered comparative data on the number of population centres on the Peloponnese in the 12th and 13th centuries that shows an average drop of 80%. Spanuth lists those figures in Atlantis of the North[015.161].
Plato is often denounced by Atlantic sceptics as just a philosopher and therefore unreliable as an historian. However, in Critias he outlines quite accurately a number of features of ancient Greece that were only verified in recent times, such as the layout and earthquake damage to the Acropolis as well as the ‘Dark Ages’ mentioned above.*[This like saying that an historian cannot have valid philosophical views or a philosopher should not discuss historical matters.]*
It has been suggested that the Atlantis story was brought to Egypt written in the Minoan scripts. Both employed numerals where the symbol for ‘hundred’ was very similar to that for ‘thousand’, leading to later transcription errors that eventually gave us Plato’s apparently exaggerated numbers! Both James Mavor and Rodney Castleden have advocated this explanation.
The Vinca Culture flourished between 6,500 and 3,500 BC, in the region of the Eastern Danube and is considered to have had contacts with the better known civilisation of Sumer. It is also accepted that Vinca influenced the development of the later Minoan civilisation. This is exemplified by the Vinca writing and its close resemblance to the Linear A script of ancient Crete and the shared motif of the double axe. The Vinca Culture developed houses arranged in streets, produced high quality ceramics and were able to fashion copper. Furthermore, there is now (2013) clear evidence of tin bronze being fashioned around 4650 BC at a Vinca site in Serbia(a).
Although there has been no suggestion of any link between Vinca and Atlantis, supporters of the early date given by Plato for Atlantis see it as evidence for the possibility of a very early culture having existed and providing inspiration for the Atlantis story. However, it must be noted that although Vinca was ‘advanced’ it comes nowhere near to the detailed description of Atlantis offered by Plato.
The Phaistos Disk is the most famous ancient artefact ever found on Crete and as Axel Hausmann says, can be considered the world’s oldest ‘printed’ document, dated to around 1700 BC. This is because the characters were created using incised punches, similar in effect to movable type.
Noting that this ‘document’ was produced using some sort of character ‘punches’, brings to my mind three questions – (1) were these the only set of punches created? And (2) have any other objects been discovered that show a similar use of punches? And (3) if not why not? These questions prompted some to claim that the Disk was a hoax! (See below)
Another artefact with characteristics remarkably similar to the Phaistos Disk, is the inscribed Magliano Disk, made of lead, which was discovered in Magliano, Tuscany in the 1889’s(ac) . However, the two discs were very far apart in time and location and so similarities are just superficial. Like the Phaistos Disc, the one from Magliano has also presented translation problems as the Etruscan script in which it is written is still only partly decipherable.
It was discovered around a hundred years ago by the Italian archaeologist Luigi Pernier (1874-1937) and despite an amazing number of efforts(a) it has defied a definitive decipherment ever since. The interpretations so far have ranged from it being a prayer to a description of the eruption of Thera, while one writer in a light-headed moment went as far as to suggest that it might hold a message from extraterrestrials!
One of the most fascinating suggestions is that the disk was in fact a board game based on an ancient Egyptian game called Senet(b)(o), which was proposed by Peter Aleff, an explanation later supported by Philip Coppens. However, it seems that this idea was first proposed by Fernand Crombette at least half a century ago(r).
Alan Butler, who has written a book on the subject, provides a more conventional offering in which he sees the disk as being primarily an astronomical aid. Rosario Vieni has promoted the idea that the disk had a calendrical use and has published his reasons, in French, on the Internet(c). Paul Dunbavin has also suggested that the disk may have been a spiral calendar[099.181].
Naturally, Atlantis has not been excluded from this wide ranging Phaistos speculation, although the linking of the disk with Atlantis is tenuous at best. Jean Louis Pagé has produced a bilingual offering that combines the Phaistos, Mayan and Aztec disks in an effort to locate Atlantis. Axel Hausmann, writing in German, has also done little to provide a clear connection between Atlantis and the disk.
Christian O’Brien and his wife Barbara Joy,in an appendix to their book The Genius of the Few, have identified the writing on the disk as an early form of Sumerian cuneiform writing.
The disk is housed in the Iraklion Archaeological Museum which is also home to the Akralochori Axe also found on Crete in 1934 by Spyridon Marinatos, that was inscribed with 15 characters that have been identified with the Linear A script as well as some of the Phaistos characters(e).
Brent Davis is one of the world’s leading experts on Bronze Age Aegean scripts and languages. In 2018, he published an article “in which, based on a close statistical analysis, shows that the while both the Phaistos Disc and Linear A are undeciphered writing systems, he can demonstrate that the both are, with a high degree of certainty, encode the same language!”(ad)
Two American academic twins, Keith and Kevin Massey, have made available a 72-page pdf file(k) outlining their interpretation of the disk. They concluded that the disk was probably a receipt for goods deposited in a temple.
2008 was a busy year for Phaistos Disk studies. Panagiotes D. Gregoriades delivered three papers to the Atlantis Conference in Athens in which he identified the disk as a calendrical devise used on land and sea. He subsequently published his ideas in book form in 2010 entitled The Creation of Prototypes. In 2008 a major international Phaistos Disk Conference was held in London(h) to celebrate the 100th anniversary of its discovery.
Unfortunately, in 1999 a professional ‘wet blanket’ in the form of Dr. Jerome Eisenberg declared the disk to be a fake, when he wrote to The Economist declaring that the disk “a joke perpetrated by a clever archaeologist from the Italian mission to Crete upon his fellow excavators.” He expanded on this in a detailed, fully illustrated paper(z) in 2008. Brian E. Colless responded by pointing out(d) that such a hoax would first have required the “making 45 little stamps to imprint on clay, on both sides of the object, and printing 30 clusters of signs (words or phrases ?) on one side and 31 on the other.”
The Greek authorities have refused to allow the disk, which is just 16cm across, to be removed for testing, on the grounds of its extreme fragility. The idea of fraud has been suggested because of the lack of other documents ‘printed’ in the same manner and because none of the punches were ever found. Fortunately that argument has now been refuted(u). My own response would be to point out that uniqueness is not necessarily a sign of a hoax. Otherwise, we would have to reject the Antikythera Mechanism, which is also a singular item with no objects of any intermediate sophistication discovered so far.
Dr. Marco Guido Corsini, who has also written about Atlantis, has widely promoted his interpretation of the Phaistos Disk(o).
Mark Newbrook, who has studied linguistics, gave a good overview of the various attempts to decipher the disk to the 2008 Phaistos Conference. An even more extensive site (currently suspended) was offered by the Georgian mathematician Gia Kvashilavathat includes a very comprehensive bibliography. Kvashilava offers his own interpretation based on the Colchian (Proto-Kartvelian) language printed in the unique Colchian syllabo-logogramic Goldscript. His paper is quite technical and more suited to advanced students of the subject.
Reinoud de Jong has now entered this particular fray with a decipherment that he claims offers a description of the religion of Crete(i). Steven Roger Fischer, who claims to have deciphered the rongorongo script of Easter Island has also offered a translation of the Phaistos Disk in his book, Glyphbreaker.
By way of complete contrast, Gary Vey claims that the disk is merely some sort of inventory and also gives an overview of the difficulties attached to deciphering the disk as well as some interesting features overlooked by some researchers(j).
The Czech WM magazine has an extensive 2011 article on the decipherment of the Phaistos Disk(p), giving prominence to the work of Petr Kovar, who claims that the language is Proto-Slavic!(y)
Stephen E. Franklin has claimed that the Disk is a king-list of Cretan rulers and also that it had a calendrical function(ab).
Barbara Gagliano raised a few eyebrows with her claim that the Disk contained DNA information(q)!
Late 2014 saw another translation attempt published(s) by Dr. Gareth Owens of the Technological Educational Institute of Crete, in which he claimed that the disk “contains a prayer to the mother goddess of the Minoan era.” Owens’ contribution provoked further controversy including further suggestions that the Disk might be a fake(t).
Linear B was the basis of Owens’ study, which was the result of a collaboration with John Coleman in Oxford University. They claim to have translated 80% of the text with certainty, along with another possible 15%, leaving just 5% undeciphered.(w)
Robert Bradford Lewis has offered a recent forensic study of the Disk, based on his view that the language used was Ugaritic, an long extinct Semitic tongue.(y) However, while the language may be Ugaritic, the script is not!
The number of theories relating to the Disk seems to rival the range of speculation relating to Atlantis. My selection here can be fruitfully augmented by the Wikipedia entry(x) on the subject.
A list of decipherment claims as well as a useful bibliography up to 2008 is available(y) and Charles River Editors has recently (2018) published two Kindle books offering more information about the many attempts to solve the mystery of the disk.
(c) http://www.world-mysteries.com/LeDisquedePhaestos.pdf (offline Nov. 2017) See: https://web.archive.org/web/20150423071528/http://www.world-mysteries.com/LeDisquedePhaestos.pdf
*(h) http://www.csad.ox.ac.uk/bes/phaistos.pdf (link broken April 2019) See: https://web.archive.org/web/20120419010351/http://www.csad.ox.ac.uk/bes/phaistos.pdf*
(k) http://www.keithmassey.com/files/ThePhaistosDisk-Massey.pdf (offline July 2017) See: https://web.archive.org/web/20160331171116/http://www.keithmassey.com/files/ThePhaistosDisk-Massey.pdf
(l) https://www.we-love-crete.com/phaistos.html (Link broken Nov. 2017) See: https://web.archive.org/web/20141201114928/https://www.we-love-crete.com/phaistos.html
(o) http://www.phaistosgame.com/ (3 papers)