Paul Schliemann was the self-declared grandson of Heinrich Schliemann the discoverer of Troy. He was at the centre of an early Atlantis hoax in 1912 when he declared in a New York newspaper article that he had inherited, from his grandfather, artefacts made in Atlantis. He claimed to have ancient documents describing the destruction of Mu and insisted that the Azores were a remnant of Atlantis. Neither the artefacts nor Paul Schliemann ever materialised, in fact, an investigation revealed that Heinrich did not have a grandson named Paul.
Additionally, he claimed to have arrived at the solution of the Atlantis mystery after studying the Mayan Troano Codex in the British Museum. Unfortunately, the Troano Codex was housed in a museum in Madrid where it still resides. A further mistake by Paul was to claim that his grandfather referred to the Lion Gate at Mycenae on Crete, when in fact it was situated on mainland Greece. These errors were compounded by his reference to Atlantean coins which is completely anachronistic as coinage only came into use in Lydia around the time of Solon.
Heinrich Schliemann’s collaborator, William Dörpfeld, testified that although Schliemann had occasionally referred to Atlantis, he was unaware that he had made any serious study of the subject or had written anything about it.
Furthermore, Heinrich actively sought publicity and it would have been completely out of character for him not to have claimed the glory for himself of having discovered Atlantis.
In spite of all of this, the story was widely quoted and is still accepted as reliable by some writers. The full story is now available on the Internet(a).
I recently discovered an article(b) in The Mail of Adelaide in South Australia of February 28th 1925, which in turn was quoting an unnamed San Francisco source, purporting to be based on an interview with Paul Schliemann, ‘son’ of the late Heinrich promoting a forthcoming book on his search for Atlantis. Clearly this was an attempt to extend the 1912 hoax, but apparently was not spotted by The Mail, considering the amount of space that they allocated to the article as well as the accompanying images.
Also see: Chevalier Pino