Fessenden, Reginald Aubrey
Reginald Aubrey Fessenden, (1866-1932), was a remarkable Canadian who, at the age of 24, had been head chemist to Thomas Edison. He was Professor of postgraduate Mathematics and Electrical Engineering, Western University of Pittsburgh and Engineering Commissioner, Ontario Power Commission. While there he took on the challenge of wireless communication and he made his first radio voice ‘broadcast’ on Christmas Eve, 1906, at a time when Marconi was still signalling in Morse code. In fact, his first voice transmission was on December 23rd 1900 which was heard one mile away.
Fessenden investigated an ancient civilisation in the Caucasus and identified it as Atlantis. The famous Egyptologist Flinders Petrie was interested in his work, which revealed evidence that people from the Caucasus had an influence on the development of ancient Egyptian culture(b). Dr Margaret Murray (1863-1963), who worked with Petrie, was also sympathetic to this view. More recently, Ronnie Gallagher has taken up this cause(c) and has gone further by suggesting the possibility that not only were migrants from the Caucasus responsible for kick-starting the development of Egyptian culture but that people from the same region had a similar influence on the early inhabitants of Sumeria and the Indus Valley.
>Fessenden approached the Smithsonian seeking help with organising an expedition to Russia to search for evidence in support of his theories. Their response of March 1924 is available online(e).<
Fessenden was also the author of The Deluged Civilisation of the Caucasus Isthmus published in three parts between 1923 and 1933 and now available on the Internet(a). In this extensive work, he discusses an alternative interpretation to the geography of early Greek myths and its consequences for Plato’s story of Atlantis.
In 1940, Fessenden’s widow, Helen, just a year before her own death, completed Reginald’s unfinished autobiography . In Chapter 28, his support for Atlantis being situated in the Caucasus is reiterated.
Jason Colavito has written a short critique of Fessenden’s work(d).