Blå Jungfrun Island
The Labyrinth and the double-headed axe, the labyris, are usually associated with Minoan culture. However, the labyrinth is an ancient symbol found around the world in locations such as Italy, India(g), Egypt(h), England, Finland and even in the New World as Evan Hadingham has shown[1309.261] at Pacatnamú in Peru. In Scandinavia they are known as Troy Towns – Trojeborgar. Sweden has the greatest number with 200(e).
The largest example in Sweden was discovered at the Mesolithic site on Blå Jungfrun Island(j).
>Tracy Boyd, in a lengthy paper(m). about Chartres Cathedral mentions in footnote 27 that “Many of the labyrinths originally installed in cathedrals in France were later destroyed by the Church itself”!<
India’s second largest example, measuring 56 feet by 56 feet, was partly uncovered in Gedimedu near Pollachi(i) in 2015. It is estimated to be 2,000 years old and has a design similar to those found on clay tablets found at Pylos, Greece, from 1200 BC.
It has been suggested by a number of writers that the labyrinth had some connection with Atlantis(a)(b).>Such suggestions are interesting but highly speculative. Lewis Spence does so in The History of Atlantis. J. D. Brady touches on this in his book, Atlantis where he announced that Atlantean gold treasure was to be found within a labyrinth on the Greek island of Lemnos.<
What I find interesting is that so many widespread examples of the labyrinth retain the irregular elements of the symbol even when depicted in a rectangular rather than a rounded style. An extensive website covering all aspects of labyrinths and mazes is worth a visit(c). There is also The Labyrinth Society(f) to further whet your appetite.
In 2017, an extensive article by John Reppion offers further information on the history and geographical spread of labyrinths(k).>Similarly, Gary Vey offers an article with additional information and more images(l).<
Some researchers have attempted to link the outline of the labyrinth with the concentric design of the harbour of Plato’s capital city. The harbour was described as a series of perfectly concentric circular features ‘as if created on a lathe’ (Critias 113d), whereas the labyrinth is more spiral with a slightly offset entrance. My conclusion regarding the labyrinth is; fascinating– yes, Atlantis – probably not.
The persistent use of this ancient symbol was highlighted by an aerial image, sent to me by Hank Harrison, of a Catholic school in California.