Aden was formerly a British possession and is now part of war-torn Yemen. Stan Deyo, author of The Vindicator Scrolls, in 1989 located Atlantis in Aden. A Dutch amateur Egyptologist, Alexander Muster, also promotes a similar idea through a variety of Internet forums. A former French police chief, Jacques Hébert, has proposed that the Yemeni island of Socotra was part of the Atlantean civilisation.
>Yemen’s long history was highlighted just before the end of the last century, when a group of megaliths were discovered, by chance, on the coastal plain of western Yemen(c).<
In 2008, Gary Vey and John McGovern claimed to have evidence that the Ark of the Covenant had been buried in Yemen (the ancient kingdom of Saba)(b).
A recent Russian website(a) also places Atlantis in the Gulf of Aden opposite the legendary land of Punt in what is now Somalia.
The Labyrinth and the double-headed axe, the labyris, are usually associated with Minoan culture. However, the labyrinth is an ancient symbol found around the world in locations such as Italy, India(g), Egypt(h), England, Finland and even in the New World as Evan Hadingham has shown[1309.261] at Pacatnamú in Peru. In Scandinavia they are known as Troy Towns – Trojeborgar. Sweden has the greatest number with 200(e).
The largest example in Sweden was discovered at the Mesolithic site on Blå Jungfrun Island(j).
>Tracy Boyd, in a lengthy paper(m). about Chartres Cathedral mentions in footnote 27 that “Many of the labyrinths originally installed in cathedrals in France were later destroyed by the Church itself”!<
India’s second largest example, measuring 56 feet by 56 feet, was partly uncovered in Gedimedu near Pollachi(i) in 2015. It is estimated to be 2,000 years old and has a design similar to those found on clay tablets found at Pylos, Greece, from 1200 BC.
It has been suggested by a number of writers that the labyrinth had some connection with Atlantis(a)(b).>Such suggestions are interesting but highly speculative. Lewis Spence does so in The History of Atlantis. J. D. Brady touches on this in his book, Atlantis where he announced that Atlantean gold treasure was to be found within a labyrinth on the Greek island of Lemnos.<
What I find interesting is that so many widespread examples of the labyrinth retain the irregular elements of the symbol even when depicted in a rectangular rather than a rounded style. An extensive website covering all aspects of labyrinths and mazes is worth a visit(c). There is also The Labyrinth Society(f) to further whet your appetite.
In 2017, an extensive article by John Reppion offers further information on the history and geographical spread of labyrinths(k).>Similarly, Gary Vey offers an article with additional information and more images(l).<
Some researchers have attempted to link the outline of the labyrinth with the concentric design of the harbour of Plato’s capital city. The harbour was described as a series of perfectly concentric circular features ‘as if created on a lathe’ (Critias 113d), whereas the labyrinth is more spiral with a slightly offset entrance. My conclusion regarding the labyrinth is; fascinating– yes, Atlantis – probably not.
The persistent use of this ancient symbol was highlighted by an aerial image, sent to me by Hank Harrison, of a Catholic school in California.
The Phaistos Disk is the most famous ancient artefact ever found on Crete and as Axel Hausmann says, can be considered the world’s oldest ‘printed’ document, dated to around 1700 BC. This is because the characters were created using incised punches, similar in effect to movable type.
Noting that this ‘document’ was produced using some sort of character ‘punches’, brings to my mind three questions – (1) were these the only set of punches created? And (2) have any other objects been discovered that show a similar use of punches? And (3) if not, why not? These questions prompted some to claim that the Disk was a hoax! (See below)
Another artefact with characteristics remarkably similar to the Phaistos Disk is the inscribed Magliano Disk, made of lead, which was discovered in Magliano, Tuscany in the 1889’s(ac). However, the two discs were very far apart in time and location and so similarities are just superficial. Like the Phaistos Disk, the one from Magliano has also presented translation problems as the Etruscan script in which it is written is still only partly decipherable.
The Phaistos Disk was discovered around a hundred years ago by the Italian archaeologist Luigi Pernier (1874-1937) and despite an amazing number of efforts(a) it has defied a definitive decipherment ever since. The interpretations so far have ranged from it being a prayer to a description of the eruption of Thera, while one writer in a light-headed moment went as far as to suggest that it might hold a message from extraterrestrials!
One of the most fascinating suggestions is that the disk was in fact a board game based on an ancient Egyptian game called Senet(b)(o), which was proposed by Peter Aleff, an explanation later supported by Philip Coppens(af). However, it seems that this idea was first proposed by Fernand Crombette at least half a century ago(r).
>Over sixty years ago Marcel Homet discussed the Phaistos Disk in the last chapter of his Sons of the Sun  noting that “The totality of the ideograms or symbols on the disc – they are all as familiar in the prehistoric Mediterranean countries as in the Ancient America (although of older date there) – leads us inevitably to search for a common origin, which can only be found in the northern part of the space which lies between the two continents (Eurasia and America), in other words: Atlantis!” [p193]<
Alan Butler, who has written a book on the subject, provides a more conventional offering in which he sees the disk as being primarily an astronomical aid. Rosario Vieni has promoted the idea that the disk had a calendrical use and has published his reasons, in French, on the Internet(c). Paul Dunbavin has also suggested that the disk may have been a spiral calendar[099.181].
Naturally, Atlantis has not been excluded from this wide-ranging Phaistos speculation, although the linking of the disk with Atlantis is tenuous at best. Jean Louis Pagé has produced a bilingual offering that combines the Phaistos, Mayan and Aztec disks in an effort to locate Atlantis. Axel Hausmann, writing in German, has also done little to provide a clear connection between Atlantis and the disk.
Christian O’Brien and his wife Barbara Joy, in an appendix to their book The Genius of the Few, have identified the writing on the disk as an early form of Sumerian cuneiform writing.>Based on this, O’Brien produced a complete translation of the Disk(ag)!<
>The disk is housed in the Iraklion Archaeological Museum which is also home to the Akralochori Axe also found on Crete in 1934 by Spyridon Marinatos, that was inscribed with 15 characters that have been identified with the Linear A script as well as some of the Phaistos characters(e). The Museum also holds (#2646) a lesser-known disk called ‘The Disk of Chronos’ by Richard Heath, who has identified it as a Bronze Age calendar(ah), which, according to him, among its other functions shows an early use of the seven-day-week. Heath has also written a paper on the Phaistos Disk, which he has interpreted as an eclipse predictor(ai).<
Brent Davis is one of the world’s leading experts on Bronze Age Aegean scripts and languages. In 2018, he published an article “in which, based on a close statistical analysis, shows that the while both the Phaistos Disc and Linear A are undeciphered writing systems, he can demonstrate that the both are, with a high degree of certainty, encode the same language!”(ad)
Two American academic twins, Keith and Kevin Massey have made available a 72-page pdf file(k) outlining their interpretation of the disk. They concluded that the disk was probably a receipt for goods deposited in a temple.
2008 was a busy year for Phaistos Disk studies. Panagiotes D. Gregoriades delivered three papers to the Atlantis Conference in Athens in which he identified the disk as a calendrical device used on land and sea. He subsequently published his ideas in book form in 2010 entitled The Creation of Prototypes. In 2008 a major international Phaistos Disk Conference was held in London(h) to celebrate the 100th anniversary of its discovery.
Unfortunately, in 1999 a professional ‘wet blanket’ in the form of Dr Jerome Eisenberg declared the disk to be a fake when he wrote to The Economist declaring that the disk “a joke perpetrated by a clever archaeologist from the Italian mission to Crete upon his fellow excavators.” He expanded on this in a detailed, fully illustrated paper(z) in 2008. Brian E. Colless responded by pointing out(d) that such a hoax would first have required the “making 45 little stamps to imprint on clay, on both sides of the object, and printing 30 clusters of signs (words or phrases ?) on one side and 31 on the other.”
The Greek authorities have refused to allow the disk, which is just 16cm across, to be removed for testing, on the grounds of its extreme fragility. The idea of fraud has been suggested because of the lack of other documents ‘printed’ in the same manner and because none of the punches was ever found. Fortunately, that argument has now been refuted(u). My own response would be to point out that uniqueness is not necessarily a sign of a hoax. Otherwise, we would have to reject the Antikythera Mechanism, which is also a singular item with no objects of any intermediate sophistication discovered so far.
Dr Marco Guido Corsini, who has also written about Atlantis, has widely promoted his interpretation of the Phaistos Disk(o).
Mark Newbrook, who has studied linguistics, gave a good overview of the various attempts to decipher the disk to the 2008 Phaistos Conference. An even more extensive site (currently suspended) was offered by the Georgian mathematician Gia Kvashilavathat includes a very comprehensive bibliography. Kvashilava offers his own interpretation based on the Colchian (Proto-Kartvelian) language printed in the unique Colchian syllabo-logogramic Goldscript. His paper is quite technical and more suited to advanced students of the subject.
Reinoud de Jong has now entered this particular fray with a decipherment that he claims offers a description of the religion of Crete(i). However, this is rather strange as in a 2012 paper(ae), de Jonge claimed that the Disk contains details of the Bronze Age importation of copper and tin from the Americas. In the same paper, he also claimed that the Egyptians discovered America around 2500 BC and for good measure he slips in that the Empire of Atlantis existed from 2500 to 1200 BC, without any reference or explanation whatsoever! It is implied that there is a connection between Egypt, Atlantis and the exploitation of the Michigan copper. The level of detailed speculation on offer here is truly spectacular.
By way of complete contrast, Gary Vey claims that the disk is merely some sort of inventory and also gives an overview of the difficulties attached to deciphering the disk as well as some interesting features overlooked by some researchers(j).
The Czech WM magazine has an extensive 2011 article on the decipherment of the Phaistos Disk(p), giving prominence to the work of Petr Kovar, who claims that the language is Proto-Slavic!(y)
Stephen E. Franklin has claimed that the Disk is a king-list of Cretan rulers and also that it had a calendrical function(ab).
Barbara Gagliano raised a few eyebrows with her claim that the Disk contained DNA information(q)!
Late 2014 saw another translation attempt published(s) by Dr Gareth Owens of the Technological Educational Institute of Crete, in which he claimed that the disk “contains a prayer to the mother goddess of the Minoan era.” Owens’ contribution provoked further controversy including further suggestions that the Disk might be a fake(t).
Linear B was the basis of Owens’ study, which was the result of a collaboration with John Coleman in Oxford University. They claim to have translated 80% of the text with certainty, along with another possible 15%, leaving just 5% undeciphered.(w)
Robert Bradford Lewis has offered a recent forensic study of the Disk, based on his view that the language used was Ugaritic, a long-extinct Semitic tongue(y). However, while the language may be Ugaritic, the script is not!
The number of theories relating to the Disk seems to rival the range of speculation relating to Atlantis. My selection here can be fruitfully augmented by the Wikipedia entry(x) on the subject.
A list of decipherment claims as well as a useful bibliography up to 2008 is available(y) and Charles River Editors has recently (2018) published two Kindle books  offering more information about the many attempts to solve the mystery of the disk.
Brent Davis is one of the world’s leading experts on Bronze Age Aegean scripts and languages. In 2018, he published an article “in which, based on a close statistical analysis, shows that the while both the Phaistos Disc and Linear A are undeciphered writing systems, he can demonstrate that the both are, with a high degree of certainty, encode the same language!”(a)
(o) https://www.phaistosgame.com/ (3 papers)