Donald W. Patten (1929-2014) was an American researcher and keen supporter of catastrophism. He was also a dedicated creationist. His cosmological theories were comparable to those of Velikovsky, who claimed that some of the planets in our Solar System were rearranged within the memory of man. This reorganisation involved a number of damaging close encounters by some planets with the Earth. While Velikovsky was to a great extent focused on the movements of Venus, Patten was more concerned with the activities of Mars.
Stuart Harris noted in a 2017 paper(c) that “Donald W. Patten modeled flybys of Mars as a fIxed sequence that alternated spring and fall, spaced 108 years apart. He sequenced flybys from 701 to 1404 BCE using historical records. Flybys altemated between the night of March 20-21 on odd years, and during the day of October 24 on even years.”
Harris’ paper “extends Patten’s methodology to March 7137 BC by recognizing that the 108-year interval was not constant but occasionally increased in increments of four years. Two important milestones are March 3161 BC, the Biblical Flood, and March 3761 BC, the start of the Hebrew calendar.”
Patten wrote a number of books and papers, two of which were with Samuel R. Windsor entitled The Recent Organisation of the Solar System, and The Mars-Earth Wars, which are also available online(a)(b).>One of the consequences of this ‘reorganisation’ and encounters with our neighbouring planets was a lengthening of our solar year from 360 to 365+ days(d)!
It is interesting to compare Patten’s ideas with the the 366 day year proposed by Alan Butler in The Bronze Age Computer Disc , based on his interpretation of the Phaistos Disc. His explanation has been endorsed by Sylvain Tristan(e).<
Alan Butler is British and an engineer by profession and for the past thirty years has been a full-time researcher and writer with a number of successful books to his credit(a). His area of interest is principally ancient civilisations which led to the publication of Civilization One and Before the Pyramids co-authored with Christopher Knight. A critical review(e) of the former is offered by Jason Colavito, a man who only writes critical reviews.
The sequel to Civilization One was Who Built the Moon  in which Butler and Knight offer evidence that our Moon is artificial! Even more extreme is his claim in Intervention that at critical junctures in man’s history, humans from the future have returned to intervene!!
Butler also wrote a book on the Phaistos Disc – The Bronze Age Disc. In it he contends there is support for his 366-degree geometry. The Disc having 30 divisions on one side and 31 on the other, which, with, a calendar alternating 30-day months and 31-day months would result in a 366-day year! Sylvain Tristan supports this idea(d) .
He has only touched briefly on the subject of Atlantis in a number of his books,>but this changed with his 2014 book The Dawn of Genius in which he deals more fully with Plato’s island<. In chapter nine he expresses the view that Plato’s Atlantis story is probably a conflation of a number of historical tales of which the Minoan Hypothesis provides some of the threads. He rejects an Atlantic location as contrary to geology and Plato’s nine thousand years to be archaeologically unsound.
Guy Gervis wrote a positive review of Civilisation One, while a more critical view of Butler is offered by Jason Colavito(b).
In 1999, Butler published City of the Goddess, which deals with Washington, DC’s direct connection with Freemasonry and its veneration of the Great Goddess! Then in 2015 America: Nation of the Goddess will be published. It has been co-authored by Butler and Janet Wolter, wife of TV presenter Scott F. Wolter. We are already informed that among the gems contained in it, is the revelation that “every baseball diamond is actually a temple to the Goddess.” I’m not making this up. Jason Colavito was equally surprised(c).
The Phaistos Disk is the most famous ancient artefact ever found on Crete and as Axel Hausmann says, can be considered the world’s oldest ‘printed’ document, dated to around 1700 BC. This is because the characters were created using incised punches, similar in effect to movable type.
Noting that this ‘document’ was produced using some sort of character ‘punches’, brings to my mind three questions – (1) were these the only set of punches created? And (2) have any other objects been discovered that show a similar use of punches? And (3) if not, why not? These questions prompted some to claim that the Disk was a hoax! (See below)
Another artefact with characteristics remarkably similar to the Phaistos Disk is the inscribed Magliano Disk, made of lead, which was discovered in Magliano, Tuscany in the 1889’s(ac). However, the two discs were very far apart in time and location and so similarities are just superficial. Like the Phaistos Disk, the one from Magliano has also presented translation problems as the Etruscan script in which it is written is still only partly decipherable.
The Phaistos Disk was discovered around a hundred years ago by the Italian archaeologist Luigi Pernier (1874-1937) and despite an amazing number of efforts(a) it has defied a definitive decipherment ever since. The interpretations so far have ranged from it being a prayer to a description of the eruption of Thera, while one writer in a light-headed moment went as far as to suggest that it might hold a message from extraterrestrials!
One of the most fascinating suggestions is that the disk was in fact a board game based on an ancient Egyptian game called Senet(b)(o), which was proposed by Peter Aleff, an explanation later supported by Philip Coppens(af). However, it seems that this idea was first proposed by Fernand Crombette at least half a century ago(r).
>Over sixty years ago Marcel Homet discussed the Phaistos Disk in the last chapter of his Sons of the Sun  noting that “The totality of the ideograms or symbols on the disc – they are all as familiar in the prehistoric Mediterranean countries as in the Ancient America (although of older date there) – leads us inevitably to search for a common origin, which can only be found in the northern part of the space which lies between the two continents (Eurasia and America), in other words: Atlantis!” [p193]<
Alan Butler, who has written a book on the subject, provides a more conventional offering in which he sees the disk as being primarily an astronomical aid. Rosario Vieni has promoted the idea that the disk had a calendrical use and has published his reasons, in French, on the Internet(c). Paul Dunbavin has also suggested that the disk may have been a spiral calendar[099.181].
Naturally, Atlantis has not been excluded from this wide-ranging Phaistos speculation, although the linking of the disk with Atlantis is tenuous at best. Jean Louis Pagé has produced a bilingual offering that combines the Phaistos, Mayan and Aztec disks in an effort to locate Atlantis. Axel Hausmann, writing in German, has also done little to provide a clear connection between Atlantis and the disk.
Christian O’Brien and his wife Barbara Joy, in an appendix to their book The Genius of the Few, have identified the writing on the disk as an early form of Sumerian cuneiform writing.>Based on this, O’Brien produced a complete translation of the Disk(ag)!<
>The disk is housed in the Iraklion Archaeological Museum which is also home to the Akralochori Axe also found on Crete in 1934 by Spyridon Marinatos, that was inscribed with 15 characters that have been identified with the Linear A script as well as some of the Phaistos characters(e). The Museum also holds (#2646) a lesser-known disk called ‘The Disk of Chronos’ by Richard Heath, who has identified it as a Bronze Age calendar(ah), which, according to him, among its other functions shows an early use of the seven-day-week. Heath has also written a paper on the Phaistos Disk, which he has interpreted as an eclipse predictor(ai).<
Brent Davis is one of the world’s leading experts on Bronze Age Aegean scripts and languages. In 2018, he published an article “in which, based on a close statistical analysis, shows that the while both the Phaistos Disc and Linear A are undeciphered writing systems, he can demonstrate that the both are, with a high degree of certainty, encode the same language!”(ad)
Two American academic twins, Keith and Kevin Massey have made available a 72-page pdf file(k) outlining their interpretation of the disk. They concluded that the disk was probably a receipt for goods deposited in a temple.
2008 was a busy year for Phaistos Disk studies. Panagiotes D. Gregoriades delivered three papers to the Atlantis Conference in Athens in which he identified the disk as a calendrical device used on land and sea. He subsequently published his ideas in book form in 2010 entitled The Creation of Prototypes. In 2008 a major international Phaistos Disk Conference was held in London(h) to celebrate the 100th anniversary of its discovery.
Unfortunately, in 1999 a professional ‘wet blanket’ in the form of Dr Jerome Eisenberg declared the disk to be a fake when he wrote to The Economist declaring that the disk “a joke perpetrated by a clever archaeologist from the Italian mission to Crete upon his fellow excavators.” He expanded on this in a detailed, fully illustrated paper(z) in 2008. Brian E. Colless responded by pointing out(d) that such a hoax would first have required the “making 45 little stamps to imprint on clay, on both sides of the object, and printing 30 clusters of signs (words or phrases ?) on one side and 31 on the other.”
The Greek authorities have refused to allow the disk, which is just 16cm across, to be removed for testing, on the grounds of its extreme fragility. The idea of fraud has been suggested because of the lack of other documents ‘printed’ in the same manner and because none of the punches was ever found. Fortunately, that argument has now been refuted(u). My own response would be to point out that uniqueness is not necessarily a sign of a hoax. Otherwise, we would have to reject the Antikythera Mechanism, which is also a singular item with no objects of any intermediate sophistication discovered so far.
Dr Marco Guido Corsini, who has also written about Atlantis, has widely promoted his interpretation of the Phaistos Disk(o).
Mark Newbrook, who has studied linguistics, gave a good overview of the various attempts to decipher the disk to the 2008 Phaistos Conference. An even more extensive site (currently suspended) was offered by the Georgian mathematician Gia Kvashilavathat includes a very comprehensive bibliography. Kvashilava offers his own interpretation based on the Colchian (Proto-Kartvelian) language printed in the unique Colchian syllabo-logogramic Goldscript. His paper is quite technical and more suited to advanced students of the subject.
Reinoud de Jong has now entered this particular fray with a decipherment that he claims offers a description of the religion of Crete(i). However, this is rather strange as in a 2012 paper(ae), de Jonge claimed that the Disk contains details of the Bronze Age importation of copper and tin from the Americas. In the same paper, he also claimed that the Egyptians discovered America around 2500 BC and for good measure he slips in that the Empire of Atlantis existed from 2500 to 1200 BC, without any reference or explanation whatsoever! It is implied that there is a connection between Egypt, Atlantis and the exploitation of the Michigan copper. The level of detailed speculation on offer here is truly spectacular.
By way of complete contrast, Gary Vey claims that the disk is merely some sort of inventory and also gives an overview of the difficulties attached to deciphering the disk as well as some interesting features overlooked by some researchers(j).
The Czech WM magazine has an extensive 2011 article on the decipherment of the Phaistos Disk(p), giving prominence to the work of Petr Kovar, who claims that the language is Proto-Slavic!(y)
Stephen E. Franklin has claimed that the Disk is a king-list of Cretan rulers and also that it had a calendrical function(ab).
Barbara Gagliano raised a few eyebrows with her claim that the Disk contained DNA information(q)!
Late 2014 saw another translation attempt published(s) by Dr Gareth Owens of the Technological Educational Institute of Crete, in which he claimed that the disk “contains a prayer to the mother goddess of the Minoan era.” Owens’ contribution provoked further controversy including further suggestions that the Disk might be a fake(t).
Linear B was the basis of Owens’ study, which was the result of a collaboration with John Coleman in Oxford University. They claim to have translated 80% of the text with certainty, along with another possible 15%, leaving just 5% undeciphered.(w)
Robert Bradford Lewis has offered a recent forensic study of the Disk, based on his view that the language used was Ugaritic, a long-extinct Semitic tongue(y). However, while the language may be Ugaritic, the script is not!
The number of theories relating to the Disk seems to rival the range of speculation relating to Atlantis. My selection here can be fruitfully augmented by the Wikipedia entry(x) on the subject.
A list of decipherment claims as well as a useful bibliography up to 2008 is available(y) and Charles River Editors has recently (2018) published two Kindle books  offering more information about the many attempts to solve the mystery of the disk.
Brent Davis is one of the world’s leading experts on Bronze Age Aegean scripts and languages. In 2018, he published an article “in which, based on a close statistical analysis, shows that the while both the Phaistos Disc and Linear A are undeciphered writing systems, he can demonstrate that the both are, with a high degree of certainty, encode the same language!”(a)
(o) https://www.phaistosgame.com/ (3 papers)
The Identity of the Atlanteans has produced a range of speculative suggestions nearly as extensive as that of the proposed locations for Plato’s lost island. However, it is highly probable that we already know who the Atlanteans were, but under a different name.
The list below includes some of the more popular suggestions and as such is not necessarily exhaustive. While researchers have proposed particular locations for Atlantis, not all have identified an archaeologically identified culture to go with their chosen location. The problem being that most of the places suggested have endured successive invasions over the millennia by different peoples.
It would seem therefore that the most fruitful approach to solving the problem of identifying the Atlanteans would be to first focus on trying to determine the date of the demise of Atlantis. This should reduce the number of possible candidates, making it easier to identify the Atlanteans.
A final point to consider, is that the historical Atlanteans were a military alliance, and as such may have included more than one or none of those listed here. The mythological Atlanteans, who included the five sets of male twins and their successors would be expected to share a common culture, wheras military coalitions are frequently more disparate.
Basques: William Lewy d’Abartiague, Edward Taylor Fletcher
Maltese: Anton Mifsud, Francis Xavier Aloisio, Kevin Falzon, Bibischok, Joseph Bosco, David Calvert-Orange, Giorgio Grongnet de Vasse, Albert Nikas, Joseph S. Ellul, Francis Galea, Tammam Kisrawi, Charles Savona-Ventura, Hubert Zeitlmair.
Maya: Robert B. Stacy-Judd, Charles Gates Dawes, Colin Wilson, Adrian Gilbert, L. M. Hosea, Augustus le Plongeon, Teobert Maler, Joachim Rittstieg, Lewis Spence, Edward Herbert Thompson, Jean-Frédérick de Waldeck,
Minoans: K.T. Frost, James Baikie, Walter Leaf, Edwin Balch, Donald A. Mackenzie, Ralph Magoffin, Spyridon Marinatos, Georges Poisson, Wilhelm Brandenstein, A. Galanopoulos, J. G. Bennett, Rhys Carpenter, P.B.S. Andrews, Edward Bacon, Willy Ley, J.V. Luce, James W. Mavor, Henry M. Eichner, Prince Michael of Greece, Nicholas Platon, N.W. Tschoegl, Richard Mooney, Rupert Furneaux, Martin Ebon, Francis Hitching, Charles Pellegrino, Rodney Castleden, Graham Phillips, Jacques Lebeau, Luana Monte, Fredrik Bruins, Gavin Menzies, Lee R. Kerr, Daniel P. Buckley.
Sylvain Tristan is young French researcher who has adopted the theories of Jean Deruelle, who advocated the idea that the Atlanteans were in fact the Megalith Builders of the Bronze Age who left us a legacy of remarkable structures from Scandinavia, along the Atlantic seaboard including the British Isles and on down into the Mediterranean as far as Malta. Tristan also subscribes to Deruelle’s contention that the capital of this civilisation had been located on the Dogger Bank in the North Sea, between England and Denmark.
A second major influence on Tristan’s thinking was the writings of Alan Butler, who among other matters, has argued for the use of 366-degree geometry by the Megalith Builders. Butler wrote the Foreword to Tristan’s Les Lignes d’or, it can be read on Tristan’s English language website(b), while the French text of the book is available online(e).
Tristan returned to the subject of 366-degree geometry in his latest book, Numbers of the Gods.
An interview with Tristan can be accessed on the Internet(a). Unfortunately, his non-fiction output have only been published in French so far, but in 2012 he published, The Divine Number, in English, as a Kindle book(c). This novel is based on a series of secrets associated with the 366 degree geometry of Butler’s research. He introduces the book in a short YouTube clip(d).
Tristan’s idea of a megalithic Atlantis has been heavily criticised by Alain Moreau(f).